Writer/director Toa Fraser believes deeply in being led by passion ("if it's not a f**k yeah, say no") — but also in the value of relinquishing control ("I think the best thing that I did for my craft was give up a little"). This flexibility and curiosity has helped him become one of New Zealand's most versatile filmmakers, having lent his vision to everything from family dramas (No. 2) to action (The Dead Lands), dance (Giselle) and small screen fantasy (Sweet Tooth, Penny Dreadful). After enjoying early success as a playwright, Fraser's movie version of No.2 won acclaim, launching a career that has seamlessly combined local and international productions. In this memorable and philosophical interview, he discusses many topics, including;
...I've only very recently learned that [it's about] letting go, as much as having a clear kaupapa, or a clear mandate . . . When I started I wanted to be this guy, and I wanted to do it like this, and I wanted to control stuff a lot more. But over the years I've learned that really the process of doing it is way more fulfilling than the result . . . I feel like there are stories out there and if I'm the right one to tell them they'll come. If I'm not, they'll go to somebody else.– Toa Fraser, late in this interview
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