Sam Neill reckons that "the only thing I can halfway do that's decent is acting". Over a multidecade career, the self-deprecating actor, winemaker and director (Cinema of Unease) has played cops, criminals, the anti-Christ, a man on the run, and a priest who thinks he was once a dog — plus at least 100 other screen roles.
In this extended ScreenTalk Legends interview, the star of The Piano, Death in Brunswick and Hunt for the Wilderpeople talks about:
Discovering his crippling stammer disappeared when he got onstage (1 minute in)
How playing a priest in Ashes (1975) fooled friends into thinking he'd found God (2 minutes)
The terror of starring in his first feature Sleeping Dogs (1977) — and how making documentaries fed into his acting (4 minutes)
Imposter syndrome (7 minutes), advice for young actors (8 minutes) and leaving New Zealand (11 minutes)
Feeling far more encouraged when he was working in Australia than in New Zealand (13 minutes)
Dragging Holly Hunter outside with an axe, while filming The Piano (14 minutes)
It was the scariest thing that I've ever done in my life, and I was an untrained actor. There was no drama school in New Zealand in those days. And it's one thing being in a film, but playing the lead in a film — I was hyperventilating to be honest.– Sam Neill on starring in breakthrough movie Sleeping Dogs (1977), early in this interview
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