Producer/director Gary Scott has spent time in the newsroom, the museum, and on location. Trained as a historian and journalist, Scott has been producing with Wellington company Gibson Group since 2001. Scott also helps Gibson Group develop multimedia experiences for museums.
In this ScreenTalk, Scott talks about:
- How producing is a balancing act between art and commerce
- Delaying journalism studies because he got waylaid working in student radio and newspapers
- Working with survivors from a 1995 Ansett plane crash on one of his earliest directing projects, documentary Flight 703: The Survivors
- Using his New Zealand history degree to make career highlight Here to Stay, which explored what traits and icons key settler groups contributed to the Kiwi blend
- Working on a trio of documentaries about the police: Undercover (the police declined to be interviewed), Line of Fire (the Armed Offenders Squad), and NZ Detectives
- Dealing with traumatic situations, such as Flight 703: The Survivors, and "enemies", like the Church of Scientology, for documentary How to Spot a Cult
This video
was first uploaded on 21 June 2011, and
is available under
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Interview - Ian Pryor. Camera and Editing - Alex Backhouse
It just fed into my keenness to tell good social stories about New Zealand . . . What you miss from being a journalist on news is that you’re always dealing with what happened today and who doesn't like it. You never get to talk about what that is in a cultural context, why it's got to that point, and what it really means going forward.
– Gary Scott compares his experiences working in TV news with documentary series Here To Stay