Screenography
Tuning In
1980 Original Concept Television
Who Will Be a Statistic?
1965 Composer Short film
1964 Composer Film
1963 Composer Short film
1963 Composer Short film
“There were obvious economic advantages in composing for a small ensemble . . . And remember, this was a time when beatnik poets, smoky nightclubs, and intimate jazz represented the new reality, a late night aesthetic of breathy singers and saxophones, close miking, and an essentially mono sound of glowing voices offset against a dead black hinterground of all presence and no reverb. We both knew, Tony [Williams] and I, the kind of sound that would work for a movie score with a very small selection of instruments.”
— Robin Maconie on his score for 1964 feature Runaway, in his essay, Composing Runaway, NZSA Bulletin of New Zealand Studies, Issue 2, 2010
