With Mauri, Merata Mita became the first Māori woman to direct a dramatic feature alone. Set around a love triangle, Mauri (meaning life force) explores cultural tensions, identity, and changing ways of life in a East Coast town. Along with Ngāti the previous year, Mauri played a key role in the rise of Māori cinema. The crew of 33 Māori and 20 Pākehā included interns from Hawkes Bay wānanga — plus composer Hirini Melbourne, artist Ralph Hotere as production designer, and actors Eva Rickard and Zac Wallace (star of Utu). Mita argued that filming got better after she fired "racist, arrogant" members of the crew.
There's a raw, edgy power at work in Mauri which overrides its technical deficiencies . . . Mauri is an emotionally charged piece of cinema. Mita successfully infuses the notion of spirituality that comes from both the people of the land and the land itself, without slipping into vague mumbo- jumbo. The term Mauri translates roughly to 'life force'. Mauri has a mauri of its own.– The Auckland Star, 28 September 1989
Awatea Films
Made in association with the NZ Film Commission and Radio Hauraki
Female vocalist Te Rita Papesch
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