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Part one of three of this full length episode.
Part two of three of this full length episode.
Part three of three of this full length episode.
The credits from this episode.
Part one of three of this full length episode.
Part one of three of this full length episode.
Part two of three of this full length episode.
Part two of three of this full length episode.
Part three of three of this full length episode.
Part three of three of this full length episode.
The credits from this episode.
The credits from this episode.
Launched in February 1974, beloved...
This Kiwi TV collection brings together 40 local TV...
The Dunedin Collection showcases a city edged by ocean,...
The very last episode of Spot On
Another classic NZ children's show
Another episode of Spot On
All about NZ lighthouses
A kids' drama series from the same era
NZ kids TV from another era
More lighthouses
A pop science series aimed at kids
More maritime mischief for children
More early 70s TV from Dunedin
More kids TV from NZBC
Also shot by Paul Donovan
More stamps
Features more lighthouse action
A charity song from the 1985 Spot On team
A later excerpt from this series
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- Clip: Spot On (credits)
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In fact I also found the theme music for "Sport On One". It is by Percy Faith and is called "1-2-3-4".
Not sure if NZ On Screen has a listing for that programme.
The pacing is so much slower... back when kids had attention spans :-/
Or maybe scarfies all talked like that back then ;-)
The other two presenters were Erin Dunleavy and Douglas Blair. Erin worked at the switchboards for the NZBC's Dunedin station, when Murray Hutchinson asked her to audition for the show. By 1988 she had left New Zealand and was working in the TV industry in The Netherlands.
In 1976 Douglas Blair did the first overseas report for Spot On, travelling round L.A., Hawaii and Mexico. He loved it so much that six months later he left New Zealand and shifted to L.A. permanently. By 1988 he was pursuing an acting career.
Ray mentions about the showing going twice weekly at one point. When that happened, Murray Hutchinson tapped Evelyn Skinner to audition for the show. Evelyn was working at the research department at the time when she was approached, the idea being that she would bring a serious news element to the show. She left NZ to work for the BBC, but by 1988 she had left the industry and was doing a manual course in osteopathy.
But first Lara - I am very sorry for the way you were treated by our programme. It certainly was wrong for your embarrassment to be aired nationally on TV. TV were terrible for doing this and I do hope you will accept my apology on everybody's behalf.
We were compiling the programme "live" for the 1st 8x shows, but in reality it probably took us about 6 months to get over our acute self consciousness. For the first 18 months we were on air 2x a week, and with a production team of only 5 to begin with we were extraordinarily busy. I also became adept at hiding my gaffs by distracting tactics when we viewed the programme as a team when it was on air.
Yes Moana the issue of accents really bugged the whole film and TV industries at that time. Kiwis wouldn't go to the movies for a NZ film because of it. It probably was "Shortland St" who finally made the breakthrough God bless them. Our model for all broadcasting was very much the BBC at that time. Our programme's format came from a British show called "Blue Peter". The accent was acceptable on radio but TV was a different ballgame. For "Spot On" though the breakthrough with accents came in the mid 70's with Ian Taylor and then Danny Watson who were very much "themselves" and were, in part, very popular because of it. But my 'doo was popular there with John M & bro' at least. I used to think they hired me for that hairstyle, and the ear-ring which wasn't a big fashion thing in those days.
The guitarist's name is on the tip of my tongue Ritchie but it's commercial, not "in house". We had to get the theme music early so the animator - John Noakes could do all the drawings in time. We stewed over the name Spot On for ages because it was already a part of the vernacular so we were aware that it might date quite quickly. But in the end I think the programme endured for so long on it's own merits anyway.
"I want to marry a Lighthouse Keeper" goes way back to Music Hall day's (late18th-early/19th century) at least. Murray Hutchinson had a big collection of old tapes which he used to plunder for inspiration occasionally with such classic takes on "I'm Henry the 8th I Am" & "With His Head Tucked Underneath His Arm" (he walked the bloody tower) etc becoming repeated favourites on the show.
I'll show my youngest son these clips tonight as well and we'll all have a laugh about the good old days.
We all were born after that date so had no idea.... My answer was so stupid..... Then I was shown ON AIR! Couldn't show my parents I was so embarrased, luckily this was way before TV recording. Just after my horror moment had passed I called my parents in to come to see..... Oh they missed it..... Never mind.... Grumpy parents.
I'm Still cringing till this day!!
I can now share my childhood with my overseas friends.
(That guitar-work in the intro theme is sublime!)
Lighthouse keepers had such a lonesome existence, but that one was at least attached to the mainland.
Thanks for that. :)