Hulamen gigs were events: there were at least 10 musicians on stage, with the spotlight shared between up to half-a-dozen singers. Plus, the Eelman website recalls, "percussionist-without-portfolio Ronny Pelicano (aka Tim Robinson) and his Fred-Astaire-on-acid dance routines. At the Terminus Tavern, Steven McDougall, the group’s tireless tech, erected a platform above the stage where a pair of female dancers ‘the Hulettes’ would gyrate to the funk."– Writer Murray Cammick on The Hulamen, AudioCulture, 22 November 2013
Amongst the Eelman collective were a number of visual artists who were vital to the overall aesthetic. The bright cartoonish sleeve of 'Beer and Skittles' established a look that would carry through to the end of the Eel-days. The surreal illustration on the front was by Tim Bollinger, whose work would also ornament the Daylights' A Bop In The Ocean album. Andrew Clouston, creator of the Eelman persona and logo, decorated the back cover with cartoon characters including the Eelman himself.– Excerpt from Nick Bollinger's history of Eelman Records, Eelman Records website
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