With film, I was interested to see if I could equal the pleasures of watching someone's weight ebb and flow in a live situation. I also really enjoy the notion of imprinting forever my choreography somehow and film was the obvious way to do that. It can be very sad just to continue to make work for live performance that is performed for a short time and then buried somewhere with no gravestone.– Shona McCullagh, in a February 2005 Listener interview
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