They think just being born entitles them.– Trish (Tracey Moore) to Maddy (Robyn Malcolm), as they discuss men
Gate-crashers have more fun.– Maddy (Robyn Malcolm) tries to persuade Trish (Tracey Moore) to continue the party
You've forgotten, haven't you?– Trish (Tracey Moore) checks whether Kevin (Jed Brophy) has forgotten the kindie cabaret
As the first drama to explore the experiences of working class, married women from a feminist perspective it marked an important departure; however the portrayal of Trish's powerlessness is so reminiscent of the portrayal of mothers in the feminist dramas of the 1980s that the film feels dated.– Deborah Shepard in her 2000 book Reframing Women: A History of New Zealand Film, page 139
I know you don’t like it here. But you didn’t like it when I was in town on the dole, either.– Kevin (Jed Brophy) to his wife Trish (Tracey Moore)
Bet he's at the pub.– Trish (Tracey Moore) speculates where her husband is
...these four films [in the Work of Art series] ... presented a compelling, pro-woman perspective. In Married, for instance, Gaylene Preston observes the cracks beneath the surface of a working class marriage where the disparity in gender roles produce enormous stress for Trish, who is struggling to nurture two pre-schoolers with almost no help from her husband Kevin.– Deborah Shepard in her 2000 book Reframing Women: A History of New Zealand Film, page 139
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