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The first of six parts of this full length children's drama.
The second of six parts of this full length children's drama.
The third of six parts of this full length children's drama.
The fourth of six parts of this full length children's drama.
The fifth of six parts of this full length children's drama.
The sixth of six parts of this full length children's drama.
The credits from this children's drama.
The first of six parts of this full length children's drama.
The first of six parts of this full length children's drama.
The second of six parts of this full length children's drama.
The second of six parts of this full length children's drama.
The third of six parts of this full length children's drama.
The third of six parts of this full length children's drama.
The fourth of six parts of this full length children's drama.
The fourth of six parts of this full length children's drama.
The fifth of six parts of this full length children's drama.
The fifth of six parts of this full length children's drama.
The sixth of six parts of this full length children's drama.
The sixth of six parts of this full length children's drama.
The credits from this children's drama.
The credits from this children's drama.
Vampires, zombies, mutant sheep, and the Bride of...
Presented by Bernard Kearns
A documentary about Margaret Mahy
A partly animated film about writer Margaret Mahy
A series that visits NZ most haunted locations
Another Mackay and Mahy collaboration
Another Gibson Group children's title
Kiwi kids’ movie
A surreal children's film directed by Yvonne Mackay
From another Margaret Mahy story
A post-apocalyptic children's drama created by Margaret Mahy
Another kids horror tale
Another Margaret Mahy fantasy
Jane Waddell also acted in this
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As a child I was unaware of a lot of stylistic and practical decisions that were made in the TV adaptation. The screenplay is a lot more normal Kiwi dialogue. Instead of travelling across town to a doctor's office for a lengthy exposition scene, the narrative is more concise (and, pragmatically, uses fewer sets).
Rewatching it as an adult is an exercise in 80s nostalgia (all that yellow!) and the visceral sense memory of that pert telephone ringing took me back; it really places us at a specific point in NZ history.