With its complex flashback structure and anti-naturalistic colour scheme, the film forces us to inhabit The Ugly's half-remembered, half-hallucinated world and to share in his shrink's increasing sense of disorientation.– Nigel Floyd, writing in Time Out
The Ugly is a small movie and all the better for it: tight, compressed and with a singularity of purpose. At its best, it is claustrophobic and genuinely creepy, with strokes of classic Kiwi Gothic in its flashbacks...and boldly stylised in its present.– Philip Matthews, in The Listener
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